Ike Nakajima Art Gallery

中島榮一郎の世界

 Falling Torrent  瀑布奔流

 

 Falling Torrent 瀑布奔流 

 
大徳寺聚光院 所蔵
 
The collection of the Daitokuji-Temple, Jukouinn
I wanted to express multi-phased changes of the different part of the same waterfall. Their faces are reflecting between the shape of rocks and the volume and the speed of running water. It could be changed each module of water fall, and even will produce so call a – ion.
 
 

 72.8cm × 53.0cm
1999

聚光院和尚(小野澤虎洞氏)と作品の前にて 2/25/18(聚光院庫裏)

 
 
   

  Asura  阿修羅

 

 Asura 阿修羅 

 
京都仁和寺 所蔵

the collection of the Ninnaji Temple Kyoto

 
 45.5cm × 53.0cm
1997

「阿修羅」仁和寺奉納式 2018年2月25日


Mt. Fuji in twilight 
「夕暮れの富士山」シリーズ

 

 Mt. Fuji in twilight
 
 

 
Mt. Fuji turned red in the setting sun. It’s Red, but turned in many colors of red and layers in twilight. Turning never stops in a second. Sometimes, It reminds me of what my life has been. I feel life is long and short and always in motion and never comes back
to the same position and moment in our life. (Jan.1/2018)      
 

                                                                                         Eiichiro Nakajima
 

Twilight Fuji #69

22.7cm ×15.8cm
1/2018

 

Twilight Fuji #70

27.3cm × 24.3cm
1/2018

 
Twilight Fuji #71

27.3cm × 24.3cm
1/2018

 
Twilight Fuji #72

41cm × 24.2cm
1/2018

a pond in fresh foliage
「新緑の池」シリーズ

 

 A pond in fresh foliage
 
 

 
I found a really mysterious pond in the deep forest. I believe that this one did not exist in the map when I checked the route before I started.
The surface of this pond is reflecting foliage green surrounding the pond.
I could not distinguish the true color between water and the surrounding foliage. (Jan.1/2018)      
 

                                                                                         Eiichiro Nakajima
 

A pond in fresh foliage #64

45cm × 38cm
11/2017
 

A pond in fresh foliage #73

45.5cm × 38cm
11/2017

 

BoatHouse_in_Kamakura #67

22.7cm × 15.8cm
1/2018
 

PAPRICA #68

33.4cm ×24.3cm
1/2018

light and shadow
「光と影」シリーズ

 

 Light and Shadow
 
 
 

 
One day, I watched a strange phenomenon on the wall of the teahouse in Kamakura. It was a single light bulb beside a wall. The wall was lighted by this single bulb but one more shadow bulb appeared next to it on the wall. Of course, this shadow bulb has been reflected by the other light source from the sunbeam. After the moment, I had noticed one more shadow, which was a reflection of that shadow. I was convinced that Light and shadow are reflecting each other and does not mean they are separate. (Jan.1/2018)      
 

                                                                                         Eiichiro Nakajima
 

 light and shadow #75

  22.7cm × 15.8cm
1/2018
 

 light and shadow #76

  41cm × 31.8cm
1/2018
 

 light and shadow #77

  41cm × 27.3cm
1/2018
   

clock hands
「時計の手」シリーズ

 

 What a clock shows with its hands.
 
 
 

 

Time is shown on a clock by the minute and hour. 
The stream of time flows from the past to the present and into the future, 
and this direction is an irreversible change and never going back. 
So, I have one question. What is a clock showing with its hands now?
 (Jan.9/2018)      
 

                                                                                         Eiichiro Nakajima
 

 clock hands #78

  22.7cm × 15.8cm
1/2018
 

 clock hands #79

  22.7cm × 15.8cm
1/2018

Hiroshige
「広重」シリーズ

 

A distorted building
 
 
 

 
I found a distorted building in neat rows on the street in Ginza. The scene looks unusual, which I have never seen before but soon after the second, I noticed that there is something interesting.
We have adopted so-called “normal” or “general” but there is no absolute standard sensibly accepted by all. I don’t know how this distorted building will be accepted 50 years later but It’s interesting and something new in Ginza. (Jan.1/2018)      
 

                                                                                         Eiichiro Nakajima
 
 

 Hiroshige Kasumigaseki  #80

  41cm × 27.3cm
1/2018
  
 

 Hiroshige Ginza(Surugacho)  白富士 #81

   45.5cm × 27.3cm
1/2018
  
 

 Hiroshige Ginza(Surugacho)  赤富士 #82

  
45.5cm × 27.3cm
 
1/2018
 

Round Window
「丸窓」シリーズ

 

 A round window
 
 
 

 
 Normally, the window shape is square in the western style architecture. I think that the reason is very simple. It’s a practical. However if you see it from a different angle, they can take any shape. For example, the window of the tea room use a round or deformed square shape. The meaning of deformed square is that each corner is not perpendicular but somewhat round. This shape may not be practical but it represents the spirit of tea ceremony, in that the tea master will accept anyone who wishes to enter the teahouse. (Jan.1/2018)      
 

                                                                                         Eiichiro Nakajima
 

Round Window #65

41cm × 27.5cm
11/2017
 
 

Round Window and lemon #84 

41.0cm × 27.5cm
1/2018
 

Round Window and lemon #85  

41.0cm × 27.5cm
1/2018
 

Round Window and lemon #86   

41.0cm × 27.5cm
1/2018
 
写真撮影: (株)クインテッセンス 若林  茂樹    

          Invitation:
          If you wish to look at these paintings, come visit the next art gallery in Ginza. Please email or call for more information.
  

Gallery Musashi                       
Ms. Junko Ishida                   
gallery.musashi.ginza@gmai.com       HP Web

本絵画館の作品は下記の画廊にて実際にご覧いただけます。ご興味のある方は下記のメールにお問い合わせください。

 

お問い合わせ先:中央区銀座1−9−1 K1ビル 1階 TEL 03-3564-6348 

               

ギャラリームサシ 石田純子 gallery.musashi.ginza@gmai.com

銀座 ギャラリームサシにて、個展を開催いたします。  http://www.gyarari-musashi.com/

 

CV     Eiichiro Nakajima, DDS,DMSc
   
 

 
1945 born in Takasaki, Gunma, Japan
1948 started to learn water color painting
1960 entered Takasaki High School, studied under Mr. Fusaichiro Inoue and 
        Mr. Toru Tsukada. Started oil painting
1974 Private practice Nakajima orthodontic Office in Yushima, Tokyo
      ~present
1982 met Mr.Reiji Hiramatsu and started Japanese style painting
        under the great influence from him.
1992 the 1st solo exhibition at Wako Gallery in Ginza
1993~1996 solo exhibition at Osaka, Fukuoka and Tokyo again
2006 invited as a guest exhibiter of the festival of Kamakura Hachiman
        Shrine~present
2016 got a painting blessed to the Daitoku-ji, Jukou-in in Kyoto and to the
        Ninomiya Kindergarten in Maebashi
2017 got a painting purchased the long-established Japanese –style confectioner“ Ichimonji-Ya”,
        got a painting blessed Hoboji Temple in Takasaki
        Permanent preservation to Bunkyo Word
        Permanent preservation to alma mater Takasaki High School
 
Solo exhibition;
1998 July13~ July 18, Wako Gallery in Ginza, Tokyo
1999 July6~July 11, Oishi Gallery in Fukuoka
2000 July14~July 19, Inui Gallery in Osaka
2001 June 4~June 16, En Galary in Ginza, Tokyo
 
Office   2-33-1 Bunkyo-ward Tokyo, Japan
Tel: 81-3-3831-3672  Fax: 81-3-3834-3724
HP       http://ike-nakajima-art-gallery.com
Email  er.nakajima@nifty.com